Let's take a closer look at the A043! Above: Nikon Z 70-200mm f2.8 VR S (left), Tamron 35-150mm f2-2.8 Di III (right,). This includes three molded glass aspherical elements along with four LD (Low Dispersion) elements. So many videos I see the camera/lens get banged around (maybe they're testing durability? At least make it smaller and lighter then my 70-200 GM. There is also some new sculpting to the lens design the gives it more shape. The GM 70..200 II will be my travel tele for the future and I'll just get a slightly bigger bag - weight is lower than the Tamron 35..150 and image quality probably a good deal better especially on the long end where it counts most - with built in image stabilization at a lower weight. Tamron has given the A058 their premium focus system, the Voice-coil eXtreme-torque Drive (VXD), which is a high end linear focus motor. They're absolutely gorgeous! The Tamron 150-500mm F/5-6.7 Di III VC VXD is the company's first super-telephoto zoom for full-frame Sony E-mount mirrorless cameras and, was more recently released in Fujifilm X mount. Interesting concept, I’d personally prefer if it was f2.8 throughout and lost some weight and size. All three Tamron lenses have fluorine coating at the front lens to repel water, dust, and dirt and make cleaning easier. We have focus hold buttons in a couple of positions to allow easy access whether in landscape or portrait orientation. The excitement was palpable from the moment that Tamron first introduced the idea of their newest lens, a lens that busts genres and gives Tamron another “world’s first”. would love to own it for sure ,it can be adapted to nikon mount. But is it quite ready for prime time yet? Some people have concerns over the stress on the lens mount, though I think this is overwrought. I don't do boring. This versatile all-in-one zoom enables photography of beautiful . The primes might be a bit sharper and you'd have a bit of a speed advantage around 75/85mm, plus they'd be lighter on your hand, but the zoom makes a very compelling case for itself IMO. The Tamron 35-150mm f2-2.8 Di III VXD (model A058) is a unique large aperture all-round zoom designed for Sonyâs Alpha mirrorless cameras and corrected for full-frame sensors. I'll set shorties in front of the taller peeps, I'll have husband's/boyfriends hold their wives etc. We’re putting the finishing touches on the EOS R7 review. Chris and Jordan from DPReview just reviewed the Tamron 35-150mm F2-2.8 for Sony E-mount. Did you do this in the end? I’ll also note here that centering was good on my tested copy, with equal results in all four corners. Corners are a little softer, but they are looking better by F4 and very strong by F5.6. This is almost a 3 stop advantage from the image stabilization of the camera which is pretty good for 150mm focal length â and probably becomes even better at shorter focal lengths. Pros and production houses alike get the PCIe slots they've been dreaming of, all with the power of Apple's most powerful chip yet, the M2 Ultra. There’s a rubber gasket at the lens mount that suggests at the weather sealing inside, and Tamron also shows a total of 10 other internal seal points along with a fluorine coating on the front element to give further protection. Levels of center-sharpness are very good at the widest available apertures, throughout the zoom range, generally becoming excellent if you narrow the aperture by one f/stop and beyond. lens hood). Mount: Canon EF, Nikon F Lens construction: 18 elements in 14 groups . The lens is fully weather-sealed including fluorine coating on the front lens and Tamron added a custom switch plus focus set button and USB-C port to make the lens configurable via computer and Tamron’s new Lens Utility (“TLU”). That’s all very well unless you’re using a first-generation Alpha A7 body or the majority of APS-C format Sony cameras, which lack IBIS. VXD refers to the focus motor employed here (Voice-coil eXtreme-torque Drive), which is currently Tamron’s most premium autofocus system. Despite having Tamron’s excellent BBAR G2 coatings, the lens flounders when a certain amount of direction sun hits the lens elements (particularly on the telephoto end). Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. For example, you can use the buttons as AF Hold, focus preset or A-B focus, the last of these allowing you to shift the focus point back and forth between two preset object distances. The lens features a USB-C port and compatibility with Tamron’s Lens Utility software. Its probably no accident why Tamron went with such. You can also make a donation here if you would like. I focused the lens at 150mm and then slowly zoomed back checking focus on the way. AF-operation of the Tamron 35-150 is inaudible if you record video with the built-in microphone. I also give high marks for the control of chromatic aberrations. [0], The Tamron 35-150 comes without a pouch or tripod mount but the reversible lens hood is included and has a lock to prevent it from accidentally falling off. For that you give up 7mm on the wide end, 20% more reach on the long end, and better close-up capabilities.
TAMRON | Special page for Sony E-mount lens series @Pseu_Pseu_PseudonymHow have I misquoted you?Direct quotes: "A 28-105/2.8 would've been much better and about the same size. I saw little evidence of longitudinal chromatic aberrations in either shiny surfaces or in bokeh highlights. Filter size: 82mm After a decade spent lagging the field, the San Jose software giant's new noise reduction tech promises a big step forward in high ISO image quality. Nothing like the shy miscolored spots you get with the other lenses. So, I rather hope for the release of a 20-70mm F 2.8 zoom stabilized at 800g. https://g2.img-dpreview.com/E3D3EBBD72EE468BBC86CDB99BF7374B.jpg. A 24 or 28 to 105 would've been better. Plenty of amazing portraits from some of the world's best photographers in the 18-28mm range, so not buying the comments regarding wider than 35 doesn't look good for people. I’ve shot plenty of weddings and events with a 24-70 on one camera and a 70-200 on the other. That’s a little under two stops in the corners, and I saw no real world situations where I felt correction was really necessary. As a wedding photographer, for example, I’m accustomed to carrying two cameras with more than double that amount of weight between them. The opinions here are completely my own. For example, my assistant will make them laugh and ask them to do things like lean in to the person in the centre and get as tight with each other as possible, just as they're laughing and smooshing up I'll capture. Distortion and vignette are both well controlled for a zoom lens that goes from wide to telephoto. Bokeh is the most overrated fad of our time. Take a look at some sample photos and grab the Raw files to see what it can do! How is that a misquote, when it's EXACTLY your words? That makes five lenses that I’ve seen this focus system implemented on (also 70-180mm F2.8 VXD, 150-500mm VXD, 18-300mm VXD [APS-C}, and the 28-75mm F2.8 G2 VXD). Its a free license after approval. The huge size and weight of this new Tamron might give a hint, though. I thought it might be more meaningful to see real world results instead. The new Fujifilm X-S20 may have an older sensor, but it's a capable stills camera nevertheless. The center performance looked a little weaker to me wide open, but the opposite was true out towards the edges of the frame, where things look great. I agree with Chris that as long as you have a wide prime, possibly on a second body, you are good to go for a wedding. As an Amazon Associate I earn from qualifying purchases. This is a vertical video I shot for Instagram, just hand held, nothing fancy... https://www.instagram.com/reel/CWYh5ezKXUm/. I said a 24-28 to 105.You've misquoted me twice now. ), and who stands a camera UP on concrete with a 3lb lens so it's resting on the screen...on CONCRETE! Its focus ring and focus set buttons are thoroughly customizable without the need for buying a USB dock and the lens is well sealed against the elements. @Bigsensorisbest The 100S is too much camera for me these days. But those few issues could be an deal breaker for me. All told, there is a whole lot of good going on here, with only one real weakness. I did a video test where I moved towards at the camera, in and out, at various speeds, and the focus system did a good job of tracking my eye. Full frame: Yes Tamron’s recent trends regarding MFD (minimum focus distance) hold true here, as the lens sports two different MFDs for wide (0.33m/13″) and telephoto (0.85m/33.5″). @ImpulsesOn the Tamron, the zoom ring is at the body end and the focus ring is at the lens end — the reverse of the way Sony does it. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners! This one is seriously impressive! Build quality feels tough and robust. The optical path is based on 21 elements in 15 groups and features some up-market glass, including three GM (Glass Molded) and four LD (Low Dispersion) elements, aiming to boost sharpness and clarity while minimizing color fringing and other aberrations. Take a closer look at Leica's latest advanced fixed-lens camera, the Q3. The latest Leica Q camera ups the megapixels but retains Leica's legendary colors. I used the A058 to record a few of my video segments, and focus was solid and reliable. Have your say: Best gear of 2021 - winners and final vote! With the 16-35mm f/2.8 lens, the zoom ring is at the camera body end of the lens barrel, which is the same as the Tamron 35-150mm. Doesnt mean stopping down a lens wont help a composition (groupshots etc), but IMO most of the time more blur is better (esp. For the past few weeks, our readers have been voting on their favorite photographic gear released in the past year in a wide range of categories. This might be a decisive factor for choosing a zoom lens as you cannot always step back enough to get the wider view. The focus ring is 28mm wide, has a rubberized surface and moves so smoothly that it can easily be operated with your pinky. If so, you can watch it here. At short focal lengths it is near as easy to 'zoom with your feet'. I may be joining you in the GF system. This is fairly near the left bottom corner, too. I don't suppose this lens is aimed at landscape photographers but for those who like shooting into the light this and other 3rd party lenses that flare are disappointing. A 28-105/2.8 would've been much better and about the same size. Size (diameter x length): 89 x 158mm (3.5 x 6.2in.) I also agree with your avatar/name. I use a Nikon D780 for serious work. DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. Here’s a look at different corner for a change of pace. It is pretty obvious that Tamron has been looking at odd zoom ranges to capitalize on portability and max aperture. The Tamron 28-75 G2 and 70-180 also come without pouch or tripod mount and their lens hood does not have a lock. Sometimes it might look OK but most of the time it detracts. Sony mount is a paid license not exactly open. My dreams had finally come true! There’s also a bank with a couple of switches. By 50mm maximum aperture is F2.2.
Tamron 150-500mm F/5-6.7 Di III VC Hands-On Review I wonder how well it will sell? Real world focus results were excellent, and I have nothing negative to report on this front. length without lens hood but quite heavy at almost 1.2kg (2.6 lb.). Would be interesting to know how well this lens already works (or not yet) on existing E-to-Z adapters. I think they said somewhere the 100r won't happen. The 35-150mm F/2-2.8 Di III VXD (Model A058) is a high resolution travel zoom lens that covers everything from the 35mm wide angle to the 150mm telephoto focal length, the first zoom lens achieving an aperture of F2 at the wide angle end for Sony full-frame mirrorless cameras. I’ve seen good manufacturing tolerances on Tamron lenses over the past five years or so. But IQ is superb and I like the rendition better than Canons lenses. And yea, I also try to avoid going wider than 35mm for group shots as much as I can, the distortions are not flattering at all. Essentially the A058 has the girth of my 135mm F1.8 GM and the length of the 70-180mm F2.8 from Tamron, as you can see here: Tamron’s design philosophy on Sony has been pretty spartan, but the A058 is a more expensive lens and has been given a little more premium treatment in terms of features. Seriously man, c'mon! Key Features: E-Mount Lens/Full-Frame Format . At nearly 1.2kg, however, it's arguably a bit on the weighty side for travel, and it's pretty chunky as well. If you have a Bluetooth-enabled Fujifilm camera of recent vintage, you're about to get a big app upgrade. Tamron already has an 35-150mm zoom in its line-up: but the 35-150mm 2.8-4.0 Di VC OSD is an older DLSR design which is one stop slower and only available for Nikon F and Canon EF-mount. Autofocus is snappy and sharpness is mostly very good, along with lovely bokeh. Usually this is an antigen test but it can also be a NAAT (PCR) test. Adobe Denoise brings Photoshop / Lightroom NR into the modern era, Nikon announces the Z DX 24mm F1.7, a fast 36mm-equiv for APS-C mirrorless, A Summicron in Japan: Leica SL 35mm F2 sample gallery, Behind the Photo: Andrew Marttila's Catnip Portraits, Fujifilm X-S20 pre-production sample gallery, Fujifilm debuts 8mm F3.5 ultra wide angle lens for X-mount cameras, Fujifilm's new Xapp simplifies mobile sharing for recent X-camera models, Canon announces EOS R100 entry-level APS-C RF-mount camera, Canon unveils RF 28mm F2.8 STM $300 pancake prime, Sony announces ZV-1 Mark II vlogging compact with 18-50mm equiv zoom, Interview: a camera-store-eye view of the camera industry, Behind the Photo: Brad Deel's creative athlete portraits, Scruffy pups, street art & Seattle sunsets: Canon EOS R7 gallery updated, Aftershoot Pro review: The promise of an AI assistant who'll take away all the gruntwork, Ricoh announces pair of 50mm F1.4 K-mount lenses, Pentax's first 'Film Camera Project' release to be a fixed lens compact, hints film SLR may be next, Remove All the Things: Using modern software to erase pesky objects. Log in. These lenses are designed for the APS-C E . Well, different needsYou can reach further by crop that 70 on 28-70 but you can never go wider than 35 on 35-150 ;). I do use a 150 (Sigma APO), but it's a macro for rings etc. [+], Sealing: All three lenses have a rubber grommet at the lens-mount plus further special weather-sealing throughout the construction. This site uses Akismet to reduce spam. "That goes under environmental photography, that means you are not filling the frame with your subject. You’ll also notice up front that Tamron has (necessarily) abandoned their 67mm front filter thread standard for this lens. I can now offer a 5% discount on all purchases at Amplis Foto, Canada’s Leading Photographic Supplier. Every one I have shot with also had a 16-35 or 14-24. Trying to take photos of groups inside at 35mm is limiting. The A058 is a completely different animal, however, as it is professional grade to the hilt and, at $1899 USD, is (to my knowledge) easily Tamron’s most expensive lens on the market at the moment. The Tamron 150-500mm f5-6.7 Di III VC (model A057) is a long telephoto zoom designed for full-frame mirrorless cameras. Compared with using two 24-70mm and 70-200mm f/2.8 trinity zooms, you naturally lose out at both ends of the range, but the Tamron is remarkably versatile as an all-in-one lens if you can live within the tighter focal length boundaries. Tamron first developed this unique focal range in 2019 for Canon and Nikon DSLRs in the form of 35-150mm F2.8-4 VC OSD lens (my review here), and that lens really exceeded my expectations optically while being held back by a subpar autofocus system. That actually leads credence to my argument, that if you do need an additional ultrawide anyway, 35mm-150mm is a lot better than 28-105, because you lose the need for 70-200mm with the former, but not the latter, 2 lenses vs 3, does it not? Tamron has worked to up their game in the physical appearance of their most recent lenses (I see similar changes to the Tamron 28-75mm G2). The 50R appeals but I would prefer the EVF in the 100S. By Bryan Esler 0 When the Tamron 35-150mm f/2-2.8 was announced for Sony E mount, I was needless to say, excited. No, both of you have misquoted me.I'm out, you don't want to understand, you want to argue, go at it with each other, enjoy . The test is performed on site with results available within 24 hours. Now, if you're hiring a pro, you're looking for something different, shots that can't be captured by uncle Bob and his new iPhone which he thinks is as good as a pro camera because of the click bait DPR articles, which is why I strive for different and why our company is one of the last left with 4 full time pros in the office. Manual-focus override is by simply turning the dedicated focus ring at the front of the lens. Tamron announces 35-150mm F2-2.8 Di III VXD and 28-75mm F2.8 G2 for E-mount, Tamron 35-150mm F2-2.8 Di III VXD for full-frame Sony E-mount on the way, Leica Summicron-SL 35mm F2 ASPH sample gallery, The best cameras for family and friends photos in 2022, Best affordable cameras for sports and action in 2022, Apple enters AR/VR headset market with Vision Pro, Apple announces M2-powered Macs, including a new Mac Pro, Generative Fill in Photoshop (Beta) Hands-On, Nikon Z 400mm F4.5 VR S updated sample gallery, Film Friday: Shooting HDR tintypes with an 120mm f/1 HD projector lens, Finally! Lack of flare control seems to what separates lenses from the 3rd party manufacturers from the camera manufacturers.
Tamron 35-150mm f/2-2.8 Di III VXD (Model A058) lens Where's the misquote?Or did you simply run out of arguments? • Best Nikon lenses Try harder. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best. There will probably be a workable third party solution for those desperate for a tripod foot. This makes smooth focus pulling for videographers much easier. If I'm shooting a group with a wide/ultra wide I'm placing them differently, it's not a happy snap, there's depth, a few people will be closer and some further away. The fast-developing field of machine learning promises to take over the tedious tasks of culling and editing photos so you can be behind the shutter button where you belong. So finally we arrive at 150mm. These here are flares with character and a bold aesthetic.
Tamron 35-150 f/2-2.8 Initial Review for Videography - Sony E-Mount # ... NY 10036. Subscribe to our YouTube channel to get new episodes of DPReview TV every week. The lens is pretty compact at 16cm (6.2in.) Real world portraits still look very crisp even wide open: If I move off-center with my subject, the results are still amazingly crisp and high-contrast even at F2.8: And real-world landscapes look good even into the corners. Okay, WOW. That just adds to the value of the ring. @Pseu_Pseu_PseudonymYou started saying that 35mm is too narrow for indoor groupshots, you'ld like 28mm-105mm. :). Great optical achievement with a major caveat... it does unfortunately have awful bokeh balls riddled with aspherical element grinding marks. I am hoping the A1/S3 EVF makes it into the R5. My experience with it has been really great. My only frustration with it was during the time I was trying to line up my test chart, and, the further you zoom out, the more the weight is towards the front of the camera and it puts a little more stress on the tripod head. It is a little bit longer (158 vs 149mm) and more noticeably heavier (1165g vs 810g). Sony's mount isn't a paid license. That’s where the potential weight savings might be. The second ring is the manual focus ring and it is near the front of the lens, and, surprisingly, it is even wider than the zoom ring. That makes for clean and crisp real world textures near the edges of the frame: All very good so far, and this points towards a promising optical performance in terms of sharpness and contrast. And, since portraits typically prioritize rule of thirds (center and mid-frame) over extreme corners, real world portraits even at F2 look great. I recognize that this was almost certainly an engineering necessity, but it is an annoyance nonetheless. The full-frame compatible Tamron 35-150mm F/2-2.8 Di III VXD for Sony E-mount mirrorless cameras is billed as the world’s fastest lens with this sort of zoom range. That lens is the Tamron 35-150mm F2-2.8 Di III VXD (internally called A058, as we’ll refer to it for brevity in this review). What’s the best camera for around $2000? Purchasing your gear through B&H and these links helps fund this website and keeps the articles coming. The Leica Q3 is here. Resolution & Sharpness On my Sony A7RIII (42 megapixel), I tested the resolution of the Tamron 35-150mm lens against two of my favorite prime lenses and the Sony 70-200 f/2.8 GM (original), and the Tamron performed remarkably well. Sharpness: Sharpness is excellent in the central region of the image frame, throughout the entire zoom range, but somewhat less impressive towards the edges and corners. Also present on the barrel is two rings. "No other type of test, including self-tests and serological tests used to detect antibodies in blood, is valid.
Tamron 35-150mm f/2-2.8 Di III VXD Lens for Sony E-mount - tamron-usa.com While it’s nice occasionally, when I took up photography in the 1970s no one bought fast lenses to blow the background to oblivion because you didn’t know how to handle it, you got a fast lens for low light to keep your shutter speeds up. This is a variable aperture zoom, as noted, and while it does start at an exceptional F2, that doesn’t last long. Mount: Sony E (FE) Granted, the AF could be better. Minimum aperture: f/16-22
Check out this detailed review and image quality breakdown: Tamron 35-150mm VC OSD: Review and IQ | 4K A043 Build, Design, and Handling As noted, the 043 has a unique focal length of 35mm (moderately wide): To mid-telephoto at 150mm: I dont know you'll get that 50r refresh I think the latest 50 covers it in fujis plans. Most of my shots are within that range and I know in advance when I need to go wider and can go grab myself an ultrawide. The Tamron 28-75 G2 weighs 537g + 27g lens hood, the Tamron 70-180 is 800g + 46g lens hood. A look at the MTF charts show that the center of the frame is impeccable throughout the zoom range; resolution even of the more demanding 30 lp/mm is between 93-98% resolution even wide open (that’s very high!). The last Sony I had could not focus in strong back lighting we shoot in all the time. Adobe's Generative Fill beta can remove difficult objects, replace backgrounds, extend the canvas of a photo and add items that were never there – with mixed results. You half expect the ghosts of the dead to go marching past. The Tamron 35-150mm f/2.8-4 Di VC OSD is a smart choice for general shooting as well as portraiture, especially if you find that you run out of telephoto .
DPReview TV: Tamron 35-150mm F2-2.8 VXD review
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